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Wonderfest 2000

David Merriman is one of the finest model builders you will find.  He is also one of the most opinionated.   At Wonderfest 2000, Dave took home a couple of well deserved gold medels in the SF Hardware division.   Congratulations!  Now Dave wanted me to post some tips about winning a gold, so here they are, along with his fine models.  Just for the record, I think he makes some very good points.   I'm not sure I totally agree, but there is wisdom here! Please remember, these comments in no way reflect the opinions of the people that run  Wonderfest, or myself.  These are David Merriman's opinions-- Steve 

OK, boy's and girl's, strap yourselves in, park your ego's in safe storage for a bit, and listen up.

Many of you know me, those who don't, let me introduce myself: I'm David Merriman, Jr. I'm one of the finest model builders you will ever know.

Recently there was a comment on the CultTVman board about the judging process at the recent Wonderfest; it suggested that there were not  enough Gold awards handed out. I'm here to assure you that some of those models entered in 'vehicles' were worthy of such a high award and were so honor. Yeah… they were mine.

I gave a good look at the tables containing the 'vehicle' models and it was clear that there were two things at work that kept more models from winning Gold: Many entrants were common plastic/resin kits, requiring little skill to assemble. And, those  'scratch-built' models (other than mine) that were entered were of such poor construction and finish as to eliminate themselves from high honors. It was that simple.

If anyone's interested, I'll launch into a detailed critique of what I saw there in another post. However, the above observations should be enough to send the more thoughtful of you out there to reevaluate what and how you submit for competition at Wonderfest and other shows that employ the 'open' system of entry judging.

Unlike IPMS and other contest, the open system permits the judges to assign as many, or few, awards as they see fit. It's not like they have only one gold, one silver, one bronze, and five honorable mentions that must be handed out in each category. No. In the open system only those models deemed to meet or exceed a specific standard receive an award.

So,  what does it take to assure Gold? Three things in my not too humble opinion: A well built and displayed (base with plaque) scratch-built model. Provide photos/slides of in-work progress during key portions of construction right there on the table right under the model along with pictures of the prototype you are working off of. And select an interesting subject - abandon those tired old Star Trek/Battle Star Galactica/Star Wars subjects; present a fresh and interesting model to the judges! Judges are human. How many ST ENTERPRISE models could you judge at one sitting without puking?

Present to the judges a well-done scratch-built  model to look over; present them with documentation; and make it interesting. I did, and got Gold. Twice!

As a sidebar, pertinent to the judging and administration of this contest, please permit me to relate a rather brief and heated conversation I had with another Gold winner at this years Wonderfest:

He was addressing Steve Iverson at the CultTVman table deep within the vendor's area. I was sitting there, looking over the Galley of Steve's J-2 handbook. Hearing the conversation I got interested and injected myself into the discussion.

This guy (sorry, I did not get your name) suggested there should be created a special  'expert' or 'professional' category to sepeate non-professionals from the  professional model builder. There is some merit to this idea, but only if this separate and apart category within the Wonderfest contest is  for those who have won Silver or higher at previous Wonderfest's; a sort of 'battle of the experts', if you will. Maybe that was his intent, I did not get the full picture.

And may I express my appreciation here that this guy engaged me, a stranger, in argument without skipping a beat - my kind of guy!

I argued that the experts, such as myself and he, should compete with the great unwashed - our presence serving to present the others with a high 'standard'; a level of craftsmanship to strive to emulate. To deny the experts/professionals from general competition is akin to those liberal school systems that stop ball games if one  side starts to rack up the score (a sickening attempt to preserve the loosing sides 'self esteem'. Hell… if you're loosing the game, your self-esteem should be rock bottom!). Such structuring of a contest against the  better team/player only works to kill both sides competitive spirit.

Segregate those who build well from those who build poorly? Don't do it!

OK, I'll step off the soapbox. Now, about the models:
 

THE 'CONQUEST OF SPACE, SPACE STATION' MODEL

This model, thirteen inches in diameter, was a commission. It represents a 'wheel' type space station suggest by Doctor von Braun back in the early 50's. Chesley Bonestell designed this specific space station for the George Pal movie, 'The Conquest of Space'.

I employed the scree technique to shape a Bondo master of the toroid hull and mirror. Off the masters I laid-up GRP tools, and within those I produced the GRP parts. The dumb-bell looking observatories at the vehicles center of rotation were cast polyurethane resin formed within RTV rubber tools.

The inside 'mirror' surface of the trough like affair atop the hull was achieved using Metalizer paint buffed with rubbing compound. Spin cast white metal pieces formed the mirror supports between mirror and hull. The 'hot pipe' supports that suspended the wire hot pipes in the  mirror focal point were also metal.

The model was painted overall using Dow Corning Lucite automotive primer and paints. Discs of Bare-Metal foil represented the many portholes. The model was finished with a flat  coat of clear. The wooden display base, outfitted with a 'presentation placard' completed the display. Incidentally, the plaque was acid-etched in a newly build bubble agitation/heated acid cutting machine of original design.

Documentation under the models base included slides of the model during specific states of assembly. A large production still from the movie, showing the space station in detail, did much to inform the  judges of how accurately I recreated the 'wheel' space station off the movies filming miniature prototype.

That's what it takes to bring home the Gold.

THE 'X-21' ROCKET MODEL

This little vacuformed model was built for myself about fifteen years ago. I almost didn't bring it, but a quick little repair on the day we left for Wonderfest  permitted me to secure a second Gold for 'vehicles'. Man… I should bring the whole collection next year!

As supporting documentation I provided a copy of the book jacket that the artist, Edward Valgursky, prepared for a hardback edition of IF short stories. Pictured is a wonderfully streamlined X-21. This sort of thing is useful to the judges: they can see that you're a disciplined builder and can  work to a specific plan, and that they can use the document to check the degree of fidelity between your work and the prototype.
 


Many judges and I hold 'trash-bashing' and 'kit-bashing' in low regard. Be original - make your own stuff! Any fool can stick randomly selected  parts together with super glue and call it a spaceship.

And there you have it: how to win at Wonderfest.

 
Feel free to send your comments to David Merriman
 

Discuss these and other models in the CultTVman Fantastic Modeling Forum

©1997-2006 Stephen J. Iverson. Other material copyright of original owner. No material (images or text) may be reproduced without permission of Stephen Iverson and original copyright owner. Additional copyright and legal information

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